Bloomsbury, Sachbücher, Actors/' and Performers/' Yearbook 2022 (Englisch, Joan Bennett Iyiola, Polly Bennett, 2022)

Foreword by Polly Bennett - NEWTrainingIntroduction Training for the under-18s Arts Emergency - Julie Hesmondhalgh Interview: David Mumeni Levelling the playing-field for actors from working and benefit class backgrounds Drama schools Checklist of drama school deadlines, audition requirements, audition fees and funding systems - Lloyd TrottWhat are drama schools looking for? - Geoffrey Colman It's warm up North: training and opportunities for actors living in North East England - Adelle HulsmeierShort-term and part-time courses Private tutors and coaches An actor's toolkit - Simon DunmoreAgents and casting directorsIntroduction Agents Being an agent - Howard Roberts CPMA: the Co-operative Personal Management Association Voice-over agents Presenters' agents Casting directors Casting for the stage - Anne McNulty Casting for musical theatre - David Grindrod Woman in a brown skirt - Sophie StantonTheatreIntroduction Interview: Cherrelle Skeete Active Listening in a Community of Nomads - NEWDramaturg at HOME - Petra Jane Tauscher Producing theatres Interview: Tom Ross-Williams Inclusivity and Allyship for the Future of the Industry - NEWEffective audition speeches - Simon Dunmore Understudying - Andrew Piper Independent managements/theatre producers Interview: Hazel Holder Voicing Kindness - NEWIgnition, inspiration and the imposter - Scott Graham Middle and smaller-scale companies Starting your own theatre company - Pilar OrtiFinding funding for projects - Sinead Mac Manus The multi-hyphenate comedy actor-performer-writer - Chris Head Interview: Geoff Whiting Routes into stand-up comedyPantomime English-language European theatre companies A touring actor's survival guide - Maev Alexander Fringe theatres Interview: Ned Bennett The Direction of Collaboration - NEWEdinburgh or bust: is it worth it? - Shane Dempsey Open Book: fairer finances for fringe theatre - Piers Beckley Children's, young people's and theatre in education - Paul Harman Shakespeare changes prisoners' lives - Bruce Wall Festivals Role-play companies MediaIntroduction Television companies Casting for television - Janie Frazer Auditioning for camera - Nancy Bishop Self-taping auditions - Ros Hubbard Are you ready for Pilot Season? - Brendan Thomas Independent film, video and TV production companies Film schools Actors and video games - Mark EstdaleRadio and audio book companies Acting for radio - Gordon House Media festivalsDisabled actorsIntroduction Training Sources of work Arts organisations Rights, advice and support Opportunities for disabled actors - Jamie BeddardResourcesResourcesIntroduction Equity Act For Change - Kobna Holdbrook-Smith Beyond #metoo - Kelly Burke Spotlight, casting directories and information services 'Point me in the right direction': navigating the casting services - Isabelle Farah Be prepared for publicity - Jayne Trotman Photographers and repro companies Getting the most from your photographs - Angus Deuchar Making money from your voice - Marina Caldarone Showreel, voicereel and website services Showreels: creation and maintenance - Anthony Holmes Digital wellbeing for actors - Sinead Mac Manus Interview: Daniel Heale Building your personal brand on social mediaAccountants Tax and National Insurance for actors - Philippe Carden - UPDATEDEquity Pension Scheme - Andrew Barker @ First Act Physical and mental fitness for actors - Alex Caan Interview: Claire Cordeaux Mental health in the performing artsFunding bodies Publications, libraries, references and booksellers Organisations, associations and societies Bibliography Webography Index.